DeadphlyPoetry

DeadphlyPoetry
Postmodern Alleycats...

Wednesday, December 28, 2011

He said — She said

He said — She said

Jump over the bridge into the water he said

She said I shouldn’t do it, it would be dangerous

He said don’t listen to her, she doesn’t know

What she is talking about

She said my mom is calling me and I should go home

Before it gets dark

He said dark is good, it keeps people

Guessing and you like when people are guessing,

Right? She said I shouldn’t listen to him

Because he spills chili on his clothes a lot

And people shouldn’t pay attention to bed-wetters

He said it’s only because his mom brought him up

That way, emphasizing that way, shouting it

Into my ear and she said into my other ear

My other ear she said is hers only and they shouldn’t switch

Sides because then it would be confusing

He said he’s going to jettison her from this choo-choo train

She said we’re not on a choo-choo train

We’ve been sitting on this porch for hours

I think he and she should get married.

That’s what I think, I think it would be grand

Because sometimes I am afraid to think

I let them do it for me and then I don’ know

What I’m doing anymore, nor what I’m talking about

Only then am I listening, I am listening only then

To what they are saying, to whom it may concern

I am copying what they are doing, I am replicating

What they are saying, it’s going to be my birthday

Soon, it’s coming up, I’ll blow out candles

Or I’ll do what they tell me to do because they tell me so

He said I should wait until I get home to take a shower

She said I should run home naked

Because it’ll make everyone laugh

He said it’s not funny to have people laugh

At you but with you, with you is a cardinal rule

And I should remember that, he said she said

Don’t listen to him, I should giggle when I want to

Because it shows character and maybe the person

Being laughed at will realize their situation is funny

And I’ll help myself in helping others

And that would be good

He said it doesn’t really matter what you do

The sun will fall anyways

She said I should steal from the neighbors

They have real nice china plates

They’re the only ones in the town

He said I should leave the plates and go after

Something else, something bigger like the snakes

In the zoo because that would be cool and everyone

Loves snakes because they make stronger silk than worms

She says I need to water the garden first

Before I can play and that I should quit talking

To him because he’s annoying and stopping me

From doing what I’m supposed to do and that’s chores

He said someday he’d invent something everybody’ll need

And he’ll be a rich man, a millionaire, the only one

And youngest one and marry the best girl and cutest girl

And the prettiest girl and everybody’ll be jealous for his ideas

And pay him for one, so then he’ll get even richer

He said he’d hire me to steal ideas from others

She said she’d hire me to do the same for more money

Saturday, December 24, 2011

For whom it may concern

you are the american spirit

dead lung grasp for a fallen heart

enchanted sandwich of shame and fleece

your gone-ness has me awake

making my breakfast out of inquisitiveness

one night

we laughed like black galoshes carpal-tunneling through the snow

our swift feet dotting a robust portrait

of our endeavors

and your décolletage

night’s revered grip has consumed me like a fire blanket

but my anatomy is as frank as indifference

the thought of you kills me

Saturday, February 19, 2011

The Writing Process

I could sit in all night wondering whether I should have a woman eating a steak or pasta and it means so much, explains so much, what kind of person she is. Making a person/character three dimensional is the same in reality as it is in fiction. We tend to listen better to those with whom we've shared some sort of intimate history, trust those with whom we've let down the walls of vulnerability and cracked the glass of pain and peevishness. The same is true in literature. I am struggling with my characters because I don't know them; I haven't lived with them as much as I can say I've even lived with myself (how many of us are still searching for ourselves and who we want to be?), but the fact of the matter is, the character and her amalgamations of my experiences, perspectives, and imagination, will never come to life; I can't have dinner with her. That's the truth of it, the crux, that I need to pretend that I am having dinner with Jesse Dresdich, my protagonist, because she wants to get to know me; she won't reveal what I don't ask, for her past is riddled with secrets, trapdoors, and a gallimaufry of polaroid pictures scattered aimlessly like my own (life).

Writing is and has to be an addiction. It has to be the drug you wake up for and wake up to. 300 words, easy, everyday.

So Just to Clarify

Like a virgin, Jesse Dresdich will walk into the girl’s restroom. The door’s handle will feel smoother, cleaner even; the bathroom floor will lightly reflect her black heels and glistening, newly shaved legs, the same way art imitates nature, she thought. Once inside, she will finally be able to enjoy the meticulous scents of vanilla and spiced apple as they dance on the skeleton-thin hairs of her nostrils. I should shave these again, she thought to herself, as her hunky right hand steadily grasped the crystal goblet of French Malbec accompanying her too-al dente pasta. She took two large gulps like a snake swallowing an ostrich egg.

“So, you enjoying your dinner?” she asked. This was her first date. “I Urban Spoon-ed this place. Four stars.”

“The ambience is exquisite.” He adjusted his glasses, and inside the stems she caught a vibrant red glow. The arms of the glasses looked like a skeletal x-ray of ribs brushed wildly with crimson, yet within the lines. She didn’t like how he would manage to turn one question into a thirty-minute interview, but she really admired his appearance — plus, the tattoos. When she saw him enter the restaurant — she had been waiting nervously for about thirty minutes — she noticed he was tall and lanky and while he walked, he ran both hands through his wavy, long, black, greasy hair. I will sleep with him if he asks me too, she thought to herself. He had said — what were the words? — “well, hi” or “well, hello” as he sat down. He looked like he had a valet ticket in his breast pocket, or it could be a condom. That’s definitely a bulge, she thought to herself.

“So, your profile said you work in a record store?” She posed it as a question, but she thought she should have said it more open-ended.

“Actually, I lied. I own a record store. Have you seen the movie High Fidelity? That’s my life.” There was an intoxicating gravity in his manner and speech, and a majesty in his movements, like the way he brought his fork with the perfectly balanced amount of food to his mouth between speech. The three times he did it, a jaunty yet kind of manly whimper rustled the nerves in her throat, and she remembered her mother taught her it was impolite to stare. He could be thirty-three or fifty-three — it didn’t matter.

Maybe I should make him work for it. Yes, the third date, that’s it, she thought. Jesse adjusted her breasts in an instant. I love my new babies, she thought to herself. About a year ago, it was late autumn and the leaves had turned a darker shade of purple when her best friend helped her choose the size. For her, the breast size was a lifestyle choice and showed how altruistic a woman could be for her man. I’m definitely not a runner, she thought to herself inside the plastic surgeon’s room. Either way, I am definitely sleeping with him, she thought to herself inside the restaurant.

I will excuse myself in a little bit — she contemplated. She could not help but notice a gleam reflecting off his fork as it poked his steak au poivre. She wanted to abruptly check herself for any blemishes in the prongs, even if they were just fragments of her self. It did not take much convincing to love how he dipped his sliced asparagus in the cognac sauce.

He had chosen a French restaurant. Ristorante, he called it, over the phone, sounding like one of those rustic, iconic home-shopping network tycoons.

“In downtown, there’s this, what can I say, spectacular patch of boutiques, late night coffee houses and creameries. We’ll go, we’ll eat; there’s this French Ristorante called le Maison de Rendezvous. 8:30?” There was an industrial tone to his voice. The more she listened to him, the more she felt like a girl.

“Can we make it 9:00?” She fancied herself an enabler of sorts, but also kind of a rebel rouser. The best, first conversations are light-hearted, sarcastic, and so-so energetic, she thought to herself. You will not take this too seriously, she said to herself aloud in front of the mirror before her taxi arrived. She loved primping ever since she could remember. As a child, Jesse would put on her mother’s clothes, make-up, and jewelry privately in her bedroom. Her mother would sneak in and snap a gallimaufry of Polaroids with Jesse in various “cute” poses. The photos would fall to the floor dotting the hyper-color t-shirts and nylon shorts scattered throughout her room. When she was fourteen, her mother died of cancer, something she survived with for seven years.

“You know, you look beautiful tonight,” he said amidst another bite. Jesse shuddered. She wondered what this man would look like in lady’s clothes. She liked to look at his fingers with subtlety — but don’t look at them too obsessively, she reminded herself. She pictured Lady Madonna polished on his fingernails and rouge lipstick marks like relics on his slightly faded blue Dockers. His members-only jacket started to unravel in her mind, and the buttons of his shirt were popping off from the beating of her own heart. Ristorante, she said to herself under her breath and giggled.

“I don’t think I’ve ever seen anyone eat pasta that way? With a spoon? And you’re separating the red and yellow cherry tomatoes,” he said.

“I have to. They’re mad at each other,” she lied. It’s healthy to lie in this situation, but never too much in the beginning, she thought to herself.

She noticed a classical version of Madonna’s “Like a Prayer” subtly dripping out of the speakers like a bra strap. How risqué, she thought to herself. Jesse remembered seeing the video for the first time when she was 14 and wanting to kiss a saint and do naughty things in a church. She hated the fact that her father insisted she attend church every Sunday in clothes she hated to wear. If it was left up to her, she would put on purple fishnet stockings and frayed Capri pants, something colorful and outlandish for a blouse and, of course, black eye shadow. Her father always had the same outfit lain on her bed each Sunday morning — a brown leather belt, khaki pants, a navy-blue collared shirt, usually Polo, and black hush puppies. The underwear, he said, was always her choice, as long as people could not see it. And no make-up, he always exclaimed.

“The tomatoes are piecing together a treaty.”

She glanced to her right and in the dim darkness of a candle she noticed a couple in its forties. The man was pulling away the woman’s hand from behind his ear and reaching in his back pocket at the same time. I hope that’s doesn’t become me, she thought to herself. “Happily married” man and wife will drive their luxurious Lexus to their beautiful 5-bedroom home, pay the copybook cheerleader/babysitter, and kiss their three children — ages 4, 6, and 11 — goodnight. The two youngest ones will ask for a bedtime story and the husband will stay behind to reveal far-off lands where fairies teleport through microwaves from house to house to protect children from the sock-stealing ogres. The wife will carry on a fake smile from the doorway.

In her opinion, she only had her father’s eyes, and that was enough. But she had her mother’s hair, a vibrant and rebellious red. She remembered, a few years later, when she was still freckled, one night she awoke frightened. She turned on the lamplight beside her bed and, glancing wide-eyed at the swept wooden floor, she saw a deluge of off-brown ants swarming one of her socks she had earlier masturbated in.

She wanted to go home with him.

“By the way, I used to be a man,” she said.

“By the way, I’m married,” he responded, and excused himself

Lipstick on my Window (The Waltz of the Nameless)

the rouge line outlines the white

white, white clouds in the photograph. what is

the material? what is the inspiration?


each wavy line sneering, laughing, frown-

ing to its own music. the narrow rustic pipes

claw their way up the brick wall proving

once again that that which is

stagnant is impossible. motion

in every red stroke, every contour,

until you realize, in a series of four


each vivid photograph

dances the diabolical tango, commemorating

the languishing effects of hyper-stimulation

& instead, instead, instead,

focusing like a war rifle

on the steady decline of avidness.

wafers, water salad, and wretched men

Wafers, water salad, & wretched men.

Wake up you over-placid zealots!

Laughter works and perniciousness doesn’t.


Swallow your tongues, political octopi,

and delete your chafed files from

the computers of acronyms.


Google any type of fear and you

will be found, hounded & sprawled

blindfolded, for future aim

on the frigid backdrop of firing


Your wails are what lemmings

evoke upon their self-reliance for

suicide.

the tyburn jig guitar poem

I

wrote

a poem

about that guitar

in the shape

of that guitar

with only six key words

repeating themselves

like the six strings of that guitar

but the 6 critics of that poem

sitting around a table

in the shape

of that guitar

didn't like it

because

they couldn't wrap their heads

around if the words

burden

point

slide

finger

praise

wrench

were either verbs or nouns